Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix
30s preview
- BPM
- 122
- Open Key
- 6m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 6:46
- Released
- 2021
- Album
- Nothing Gold
- Genre
- Progressive House
- Loudness
- -10.9 dB
- Dynamics
- 9.5 dB
- ISRC
- US83Z2115159
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nothing Gold Can Stayoriginal12A · 116
Against the original (12A at 116 BPM), this version runs 6 BPM faster and moves the key from 12A to 1A.
A club-tempo progressive house cut, Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix sits in A♭ minor (1A) at 122 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Jamie Stevens's catalogue.
- Low end:
- more bass-heavy than 99% of Jamie Stevens's catalogue
- Brightness:
- darker than 84% of Jamie Stevens's catalogue
- Groove:
- less groove-driven than 78% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix in?
Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix by Jamie Stevens is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix?
Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix runs at 122 BPM, a club-tempo track.
What mixes well with Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Nothing Gold Can Stay - Dustin Nantais & Zoi (CA) Remix good for peak time?
With energy 74 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 122 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
