Walpurgis Night - DJ Varsovie Sex With Ghosts Remix by I Hate Models cover art

Walpurgis Night - DJ Varsovie Sex With Ghosts Remix

I Hate Models

30s preview

Key
9A · E minor
BPM
132
Open Key
2m
Energy
87/100
Pop
15/100
Length
7:46
Released
2018
Album
Midnight Cults
Genre
Techno
Label
Khemia Records
Loudness
-7.7 dB
Dynamics
13.9 dB
ISRC
FRIDO1811028

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 132 BPM), this version holds the same tempo and moves the key from 9B to 9A.

A peak-time tempo techno cut, Walpurgis Night - DJ Varsovie Sex With Ghosts Remix sits in E minor (9A) at 132 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). A 2018 production that still circulates in sets. More treble-tilted than 99% of I Hate Models's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 83% of I Hate Models's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood11Dark
Groove50
Acoustic2
Instrumental85
Live8
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
40%
Low-mid
130-570 Hz
29%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Walpurgis Night - DJ Varsovie Sex With Ghosts Remix in?

Walpurgis Night - DJ Varsovie Sex With Ghosts Remix by I Hate Models is in E minor, or 9A on the Camelot wheel.

What BPM is Walpurgis Night - DJ Varsovie Sex With Ghosts Remix?

Walpurgis Night - DJ Varsovie Sex With Ghosts Remix runs at 132 BPM, a peak-time tempo track.

What mixes well with Walpurgis Night - DJ Varsovie Sex With Ghosts Remix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Walpurgis Night - DJ Varsovie Sex With Ghosts Remix good for peak time?

With energy 87 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 132 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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