Disco Biscuit - Alex George Edit
30s preview
- Key
- 8A · A minor
- BPM
- 121
- Open Key
- 1m
- Energy
- 79/100
- Pop
- 1/100
- Length
- 9:08
- Released
- 2014
- Album
- Disco Biscuit
- Genre
- Progressive House
- Loudness
- -7.0 dB
- Dynamics
- 11.4 dB
- ISRC
- GBZTB1400014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Disco Biscuitoriginal9B · 121
Against the original (9B at 121 BPM), this version holds the same tempo and moves the key from 9B to 8A.
Disco Biscuit - Alex George Edit runs 121 BPM in A minor (8A), a club-tempo progressive house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. Slower than 80% of Hernan Cattaneo's catalogue.
- Reach:
- more underground than 78% of Hernan Cattaneo's catalogue
- Groove:
- groovier than 76% of Hernan Cattaneo's catalogue
- Brightness:
- brighter than 75% of Hernan Cattaneo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Disco Biscuit - Alex George Edit in?
Disco Biscuit - Alex George Edit by Hernan Cattaneo is in A minor, or 8A on the Camelot wheel.
What BPM is Disco Biscuit - Alex George Edit?
Disco Biscuit - Alex George Edit runs at 121 BPM, a club-tempo track.
What mixes well with Disco Biscuit - Alex George Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Disco Biscuit - Alex George Edit good for peak time?
With energy 79 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 121 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
