Chicago by Henrik Schwarz cover art

30s preview

Key
8A · A minor
BPM
124
Open Key
1m
Energy
69/100
Pop
0/100
Length
9:08
Released
2003
Genre
Deep House
Label
Moodmusic
Loudness
-9.3 dB
Dynamics
11.4 dB
ISRC
DEEC30900017

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Chicago is a club-tempo deep house track in A minor (8A) at 124 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2003 production that still circulates in sets. More underground than 99% of Henrik Schwarz's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 83% of Henrik Schwarz's catalogue
Groove:
less groove-driven than 81% of Henrik Schwarz's catalogue
Energy:
hotter than 76% of Henrik Schwarz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood14Dark
Groove49
Acoustic0
Instrumental61
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
5%
High
2.5-11 kHz

FAQ

What key is Chicago in?

Chicago by Henrik Schwarz is in A minor, or 8A on the Camelot wheel.

What BPM is Chicago?

Chicago runs at 124 BPM, a club-tempo track.

What mixes well with Chicago?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Chicago good for peak time?

With energy 69 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More deep house

More from Henrik Schwarz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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