Running - Extended Club Mix
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 74/100
- Pop
- 8/100
- Length
- 5:53
- Released
- 2019
- Album
- Running
- Genre
- Progressive House
- Label
- Anjunabeats
- Loudness
- -5.4 dB
- Dynamics
- 12.0 dB
- ISRC
- GBEWA1903961
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Running - Club Mixversion8B · 128
- Runningoriginal6A · 128
Against the original (6A at 128 BPM), this version holds the same tempo and moves the key from 6A to 8B.
Running - Extended Club Mix is a peak-time tempo progressive house track in C major (8B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). More treble-tilted than 88% of Grum's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 79% of Grum's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Running - Extended Club Mix in?
Running - Extended Club Mix by Grum is in C major, or 8B on the Camelot wheel.
What BPM is Running - Extended Club Mix?
Running - Extended Club Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Running - Extended Club Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Running - Extended Club Mix good for peak time?
With energy 74 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
