East Route (version: Essex)
30s preview
- BPM
- 110
- Open Key
- 7d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:11
- Released
- 2025
- Genre
- Organic House
- Loudness
- -11.5 dB
- Dynamics
- 10.0 dB
- ISRC
- US83Z2536448
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 110 BPM in F♯ major (2B), East Route (version: Essex) is a mid-tempo organic house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of the whole index. In a set it works best as a floor-filler.
- Tempo:
- slower than 94% of the whole index
- Brightness:
- darker than 85% of the whole index
- Low end:
- more bass-heavy than 83% of the whole index
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is East Route (version: Essex) in?
East Route (version: Essex) by Goldcap is in F♯ major, or 2B on the Camelot wheel.
What BPM is East Route (version: Essex)?
East Route (version: Essex) runs at 110 BPM, a mid-tempo track.
What mixes well with East Route (version: Essex)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is East Route (version: Essex) good for peak time?
With energy 75 out of 100 at 110 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 110 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More organic house
More from Goldcap
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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