Phones Down by GENESI cover art

Phones Down

GENESI

30s preview

Key
4A · F minor
BPM
125
Open Key
9m
Energy
84/100
Pop
35/100
Length
3:25
Released
2024
Genre
Tech House
Label
Tomorrowland Music
Loudness
-4.5 dB
Dynamics
9.0 dB
ISRC
BE5KW2400610

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Phones Down sits in F minor (4A) at 125 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Slower than 92% of GENESI's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 86% of GENESI's catalogue
Brightness:
darker than 81% of GENESI's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood16Dark
Groove74
Acoustic1
Instrumental1
Live16
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Phones Down in?

Phones Down by GENESI is in F minor, or 4A on the Camelot wheel.

What BPM is Phones Down?

Phones Down runs at 125 BPM, a club-tempo track.

What mixes well with Phones Down?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Phones Down good for peak time?

With energy 84 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from GENESI

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track