Why Are You Here by FJAAK cover art

Why Are You Here

FJAAK

30s preview

Key
11B · A major
BPM
135
Open Key
4d
Energy
70/100
Pop
8/100
Length
4:54
Released
2023
Album
FJAAK009
Genre
Techno
Label
FJAAK
Loudness
-7.7 dB
Dynamics
16.2 dB
ISRC
NLL562301558

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 135 BPM in A major (11B), Why Are You Here is a driving up-tempo techno production. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 16 dB). Groovier than 97% of FJAAK's catalogue.

Energy:
calmer than 86% of FJAAK's catalogue
Low end:
more treble-tilted than 86% of FJAAK's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy70
Mood19Dark
Groove83
Acoustic0
Instrumental87
Live17
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Why Are You Here in?

Why Are You Here by FJAAK is in A major, or 11B on the Camelot wheel.

What BPM is Why Are You Here?

Why Are You Here runs at 135 BPM, a driving up-tempo track.

What mixes well with Why Are You Here?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Why Are You Here good for peak time?

With energy 70 out of 100 at 135 BPM, it works best as a floor-filler.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#Track

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 135 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track