Call My Name - Ezel Remix Instrumental
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 0/100
- Length
- 8:19
- Released
- 2020
- Album
- Call My Name (Ezel Remixes)
- Genre
- Deep House
- Loudness
- -9.6 dB
- Dynamics
- 10.9 dB
- ISRC
- GBLV62022839
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call My Name - Ezel Remixremix10B · 124
A club-tempo deep house cut, Call My Name - Ezel Remix Instrumental sits in D major (10B) at 124 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Ezel's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 89% of Ezel's catalogue
- Low end:
- more bass-heavy than 75% of Ezel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Call My Name - Ezel Remix Instrumental in?
Call My Name - Ezel Remix Instrumental by Ezel is in D major, or 10B on the Camelot wheel.
What BPM is Call My Name - Ezel Remix Instrumental?
Call My Name - Ezel Remix Instrumental runs at 124 BPM, a club-tempo track.
What mixes well with Call My Name - Ezel Remix Instrumental?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Call My Name - Ezel Remix Instrumental good for peak time?
With energy 79 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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