Take Off by Étienne de Crécy cover art

30s preview

Key
12B · E major
BPM
123
Open Key
5d
Energy
72/100
Pop
12/100
Length
7:15
Released
2019
Genre
House
Loudness
-8.2 dB
Dynamics
11.1 dB
ISRC
FRU981900680

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Take Off: club-tempo house, E major (12B), 123 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 11 dB). Less groove-driven than 99% of Étienne de Crécy's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 99% of Étienne de Crécy's catalogue
Brightness:
darker than 98% of Étienne de Crécy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood4Dark
Groove45
Acoustic2
Instrumental78
Live15
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
15%
Low
30-130 Hz
36%
Low-mid
130-570 Hz
32%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Take Off in?

Take Off by Étienne de Crécy is in E major, or 12B on the Camelot wheel.

What BPM is Take Off?

Take Off runs at 123 BPM, a club-tempo track.

What mixes well with Take Off?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Take Off good for peak time?

With energy 72 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 123 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More house

#TrackKey·BPM

More from Étienne de Crécy

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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