De Orde Van de Nacht, Pt. 2 (Raxon remix)
30s preview
- BPM
- 124
- Open Key
- 5m
- Energy
- 95/100
- Pop
- 2/100
- Length
- 4:32
- Released
- 2019
- Genre
- Progressive House
- Loudness
- -7.4 dB
- Dynamics
- 10.2 dB
- ISRC
- NLF711911187
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
De Orde Van de Nacht, Pt. 2 (Raxon remix): club-tempo progressive house, D♭ minor (12A), 124 BPM. The feel is dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Eelke Kleijn's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 98% of Eelke Kleijn's catalogue
- Energy:
- hotter than 97% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is De Orde Van de Nacht, Pt. 2 (Raxon remix) in?
De Orde Van de Nacht, Pt. 2 (Raxon remix) by Eelke Kleijn is in D♭ minor, or 12A on the Camelot wheel.
What BPM is De Orde Van de Nacht, Pt. 2 (Raxon remix)?
De Orde Van de Nacht, Pt. 2 (Raxon remix) runs at 124 BPM, a club-tempo track.
What mixes well with De Orde Van de Nacht, Pt. 2 (Raxon remix)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is De Orde Van de Nacht, Pt. 2 (Raxon remix) good for peak time?
With energy 95 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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