Presence - Original Mix
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 74/100
- Pop
- 4/100
- Length
- 6:13
- Released
- 2015
- Album
- Presence EP
- Genre
- Tech House
- Label
- Toolroom Records
- Loudness
- -8.0 dB
- Dynamics
- 7.2 dB
- ISRC
- GBJAJ1400707
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Presence - Original Mix runs 124 BPM in D major (10B), a club-tempo tech house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. Groovier than 96% of Dosem's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 96% of Dosem's catalogue
- Tempo:
- slower than 80% of Dosem's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Presence - Original Mix in?
Presence - Original Mix by Dosem is in D major, or 10B on the Camelot wheel.
What BPM is Presence - Original Mix?
Presence - Original Mix runs at 124 BPM, a club-tempo track.
What mixes well with Presence - Original Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Presence - Original Mix good for peak time?
With energy 74 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Dosem
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
