OUAGADOUGOU (feat. Zakes Bantwini) by Djeff cover art

OUAGADOUGOU (feat. Zakes Bantwini)

Djeff

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
75/100
Pop
16/100
Length
3:41
Released
2019
Genre
House
Loudness
-7.7 dB
Dynamics
9.9 dB
ISRC
NLZ541900163

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo house cut, OUAGADOUGOU (feat. Zakes Bantwini) sits in B minor (10A) at 125 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 91% of Djeff's catalogue. For programming, treat it as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood62Balanced
Groove69
Acoustic0
Instrumental49
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is OUAGADOUGOU (feat. Zakes Bantwini) in?

OUAGADOUGOU (feat. Zakes Bantwini) by Djeff is in B minor, or 10A on the Camelot wheel.

What BPM is OUAGADOUGOU (feat. Zakes Bantwini)?

OUAGADOUGOU (feat. Zakes Bantwini) runs at 125 BPM, a club-tempo track.

What mixes well with OUAGADOUGOU (feat. Zakes Bantwini)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is OUAGADOUGOU (feat. Zakes Bantwini) good for peak time?

With energy 75 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 75/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

More from Djeff

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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