Labyrinth (Dj Spen & Reelsoul Main Instrumental) by Djeff cover art

Labyrinth (Dj Spen & Reelsoul Main Instrumental)

Djeff

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
81/100
Pop
0/100
Length
6:31
Released
2018
Album
Labyrinth Remixes
Genre
House
Loudness
-9.1 dB
Dynamics
8.9 dB
ISRC
QM6N21802407

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 124 BPM), this version holds the same tempo and moves the key from 3B to 3A.

At 124 BPM in B♭ minor (3A), Labyrinth (Dj Spen & Reelsoul Main Instrumental) is a club-tempo house production. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Djeff's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 85% of Djeff's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood81Bright
Groove73
Acoustic0
Instrumental87
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Labyrinth (Dj Spen & Reelsoul Main Instrumental) in?

Labyrinth (Dj Spen & Reelsoul Main Instrumental) by Djeff is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Labyrinth (Dj Spen & Reelsoul Main Instrumental)?

Labyrinth (Dj Spen & Reelsoul Main Instrumental) runs at 124 BPM, a club-tempo track.

What mixes well with Labyrinth (Dj Spen & Reelsoul Main Instrumental)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Labyrinth (Dj Spen & Reelsoul Main Instrumental) good for peak time?

With energy 81 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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