Beyond The Planets by Dax J cover art

Beyond The Planets

Dax J

30s preview

Key
9A · E minor
BPM
130
Open Key
2m
Energy
86/100
Pop
0/100
Length
6:01
Released
2015
Genre
Techno
Loudness
-8.9 dB
Dynamics
8.4 dB
ISRC
GBJX38207002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Beyond The Planets runs 130 BPM in E minor (9A), a peak-time tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Dax J's catalogue. In a set it works best as a peak-time weapon.

Low end:
more bass-heavy than 88% of Dax J's catalogue
Groove:
groovier than 84% of Dax J's catalogue
Tempo:
slower than 76% of Dax J's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood7Dark
Groove76
Acoustic0
Instrumental91
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is Beyond The Planets in?

Beyond The Planets by Dax J is in E minor, or 9A on the Camelot wheel.

What BPM is Beyond The Planets?

Beyond The Planets runs at 130 BPM, a peak-time tempo track.

What mixes well with Beyond The Planets?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Beyond The Planets good for peak time?

With energy 86 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#Track

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track