Dibiza - Rene Amesz & Peter Gelderblom Mix
- BPM
- 125
- Open Key
- 4m
- Energy
- 51/100
- Pop
- 0/100
- Length
- 7:42
- Released
- 2008
- Album
- Dibiza 2007 Remixes
- Genre
- Progressive House
- Label
- Caballero Recordings
- Loudness
- -12.2 dB
- ISRC
- ES7840710422
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dibiza - Joseph Capriati Remixremix8B · 125
- Dibiza - Kick Ass Mixoriginal3B · 128
- Dibiza - Metodi Hristov Remixremix3A · 120
- Dibiza - Island Groove Remixremix7A · 125
- Dibiza - Ocean Drive Hotel Mixoriginal9B · 128
- Dibiza - Catz 'n Dogz Remixremix4B · 124
At 125 BPM in F♯ minor (11A), Dibiza - Rene Amesz & Peter Gelderblom Mix is a club-tempo progressive house production. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. More underground than 99% of Danny Tenaglia's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 94% of Danny Tenaglia's catalogue
- Energy:
- calmer than 88% of Danny Tenaglia's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dibiza - Rene Amesz & Peter Gelderblom Mix in?
Dibiza - Rene Amesz & Peter Gelderblom Mix by Danny Tenaglia is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Dibiza - Rene Amesz & Peter Gelderblom Mix?
Dibiza - Rene Amesz & Peter Gelderblom Mix runs at 125 BPM, a club-tempo track.
What mixes well with Dibiza - Rene Amesz & Peter Gelderblom Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Dibiza - Rene Amesz & Peter Gelderblom Mix good for peak time?
With energy 51 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Danny Tenaglia
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
