Time To See - Original Mix
30s preview
- Key
- 1B · B major
- BPM
- 126
- Open Key
- 6d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 6:22
- Released
- 2016
- Album
- Time To See
- Genre
- Techno
- Loudness
- -6.5 dB
- Dynamics
- 11.9 dB
- ISRC
- GBJAJ1600573
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Time To See - Drunken Kong Remixremix1B · 125
A club-tempo techno cut, Time To See - Original Mix sits in B major (1B) at 126 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. More underground than 99% of D-Unity's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 86% of D-Unity's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Time To See - Original Mix in?
Time To See - Original Mix by D-Unity is in B major, or 1B on the Camelot wheel.
What BPM is Time To See - Original Mix?
Time To See - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with Time To See - Original Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Time To See - Original Mix good for peak time?
With energy 97 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from D-Unity
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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