Eye I Eye by Claude VonStroke cover art

30s preview

Key
11A · F♯ minor
BPM
123
Open Key
4m
Energy
66/100
Pop
0/100
Length
6:34
Released
2014
Genre
Tech House
Loudness
-6.6 dB
Dynamics
17.6 dB
ISRC
US75Z1410047

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Eye I Eye: club-tempo tech house, F♯ minor (11A), 123 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 18 dB). A 2014 production that still circulates in sets. More underground than 99% of Claude VonStroke's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 95% of Claude VonStroke's catalogue
Tempo:
slower than 89% of Claude VonStroke's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy66
Mood53Balanced
Groove82
Acoustic0
Instrumental89
Live2
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Eye I Eye in?

Eye I Eye by Claude VonStroke is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Eye I Eye?

Eye I Eye runs at 123 BPM, a club-tempo track.

What mixes well with Eye I Eye?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Eye I Eye good for peak time?

With energy 66 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Claude VonStroke

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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