One More Time - Worakls Remix
30s preview
- Key
- 5A · C minor
- BPM
- 126
- Open Key
- 10m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 3:52
- Released
- 2022
- Album
- One More Time (Remixes)
- Genre
- Trance
- Loudness
- -8.0 dB
- Dynamics
- 15.4 dB
- ISRC
- NLF712205062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One More Timeoriginal8B · 126
- One More Time - Worakls Extended Remixremix5A · 126
- One More Time - C-Systems Extended Remixremix8A · 133
- One More Time - C-Systems Remixremix8B · 133
- One More Time - Extended Mixversion8A · 126
- One More Time - NIIKO X SWAE Remixremix8A · 126
Against the original (8B at 126 BPM), this version holds the same tempo and moves the key from 8B to 5A.
A club-tempo trance cut, One More Time - Worakls Remix sits in C minor (5A) at 126 BPM. The feel is dark and driving. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Armin van Buuren's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 91% of Armin van Buuren's catalogue
- Energy:
- calmer than 84% of Armin van Buuren's catalogue
- Tempo:
- slower than 76% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is One More Time - Worakls Remix in?
One More Time - Worakls Remix by Armin van Buuren is in C minor, or 5A on the Camelot wheel.
What BPM is One More Time - Worakls Remix?
One More Time - Worakls Remix runs at 126 BPM, a club-tempo track.
What mixes well with One More Time - Worakls Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is One More Time - Worakls Remix good for peak time?
With energy 70 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 126 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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