Hey (I Miss You)
- Key
- 7B · F major
- BPM
- 120
- Open Key
- 12d
- Energy
- 88/100
- Pop
- 4/100
- Length
- 3:20
- Released
- 2022
- Genre
- Trance
- Loudness
- -3.7 dB
- ISRC
- NLF712206956
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hey (I Miss You) - Extended Mixversion8B · 120
Hey (I Miss You) runs 120 BPM in F major (7B), a club-tempo trance record. It is vocal-led. The master is loud and heavily compressed. Slower than 90% of Armin van Buuren's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hey (I Miss You) in?
Hey (I Miss You) by Armin van Buuren is in F major, or 7B on the Camelot wheel.
What BPM is Hey (I Miss You)?
Hey (I Miss You) runs at 120 BPM, a club-tempo track.
What mixes well with Hey (I Miss You)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Hey (I Miss You) good for peak time?
With energy 88 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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