Feel Something - Tom Staar Remix
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 97/100
- Pop
- 8/100
- Length
- 2:39
- Released
- 2021
- Album
- Feel Something (Tom Staar Remix)
- Genre
- Trance
- Loudness
- -4.5 dB
- Dynamics
- 12.9 dB
- ISRC
- NLF712100024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Feel Something (feat. Duncan Laurence)original8B · 94
- Feel Something - Extended Mixversion8B · 94
- Feel Something (feat. Duncan Laurence) - Sammy Porter Remixremix10A · 125
- Feel Something - Sammy Porter Extended Remixremix10A · 125
Against the original (8B at 94 BPM), this version runs 32 BPM faster in the same key.
A club-tempo trance cut, Feel Something - Tom Staar Remix sits in C major (8B) at 126 BPM. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 99% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Armin van Buuren's catalogue
- Energy:
- hotter than 90% of Armin van Buuren's catalogue
- Low end:
- more treble-tilted than 87% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Feel Something - Tom Staar Remix in?
Feel Something - Tom Staar Remix by Armin van Buuren is in C major, or 8B on the Camelot wheel.
What BPM is Feel Something - Tom Staar Remix?
Feel Something - Tom Staar Remix runs at 126 BPM, a club-tempo track.
What mixes well with Feel Something - Tom Staar Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Feel Something - Tom Staar Remix good for peak time?
With energy 97 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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