Computers Take over the World - Club Mix
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 77/100
- Pop
- 0/100
- Length
- 2:18
- Released
- 2023
- Album
- Feel Again (Remixes)
- Genre
- Trance
- Loudness
- -6.0 dB
- ISRC
- NLF712308483
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Computers Take over the World - Cat Dealers Remixremix10A · 126
- Computers Take over the World - Maddix Remixremix3B · 142
- Computers Take Over The Worldoriginal3B · 140
- Computers Take over the World - Maddix Extended Remixremix3B · 142
- Computers Take Over The World (ASOT 1086) [Trending Track]original3B · 138
- Computers Take over the World - Cat Dealers Extended Remixremix10A · 126
Against the original (3B at 140 BPM), this version runs 14 BPM slower and moves the key from 3B to 8B.
Computers Take over the World - Club Mix runs 126 BPM in C major (8B), a club-tempo trance record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 95% of Armin van Buuren's catalogue
- Brightness:
- brighter than 90% of Armin van Buuren's catalogue
- Energy:
- calmer than 77% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Computers Take over the World - Club Mix in?
Computers Take over the World - Club Mix by Armin van Buuren is in C major, or 8B on the Camelot wheel.
What BPM is Computers Take over the World - Club Mix?
Computers Take over the World - Club Mix runs at 126 BPM, a club-tempo track.
What mixes well with Computers Take over the World - Club Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Computers Take over the World - Club Mix good for peak time?
With energy 77 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Fall to Pieces [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.