The Numbers - Christian Burkhardt Remix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 69/100
- Pop
- 11/100
- Length
- 7:20
- Released
- 2018
- Album
- The Numbers
- Genre
- Techno
- Label
- Cuttin' Headz
- Loudness
- -11.2 dB
- Dynamics
- 10.5 dB
- ISRC
- QMZQ41617005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Numbersoriginal1B · 130
- The Numbers - DJ Skull Remixremix3B · 130
- The Numbers - Christian Burkhardt Remix Editremix11A · 128
- The Numbers - Editversion1B · 130
- The Numbers - DJ Skull Remix Editremix3B · 130
Against the original (1B at 130 BPM), this version runs 2 BPM slower and moves the key from 1B to 11A.
The Numbers - Christian Burkhardt Remix is a peak-time tempo techno track in F♯ minor (11A) at 128 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More bass-heavy than 86% of Argy's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 85% of Argy's catalogue
- Reach:
- better known than 81% of Argy's catalogue
- Groove:
- groovier than 80% of Argy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is The Numbers - Christian Burkhardt Remix in?
The Numbers - Christian Burkhardt Remix by Argy is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Numbers - Christian Burkhardt Remix?
The Numbers - Christian Burkhardt Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Numbers - Christian Burkhardt Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Numbers - Christian Burkhardt Remix good for peak time?
With energy 69 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Argy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
