Comatose Commodity - Dubsons Remix
- BPM
- 121
- Open Key
- 8d
- Energy
- 80/100
- Pop
- 0/100
- Length
- 7:26
- Released
- 2013
- Album
- Antithesis EP
- Genre
- Tech House
- Label
- Genial Records
- Loudness
- -8.9 dB
- ISRC
- FR6V81920518
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Comatose Commodity - Original Mixoriginal1B · 120
Against the original (1B at 120 BPM), this version runs 1 BPM faster and moves the key from 1B to 3B.
Comatose Commodity - Dubsons Remix: club-tempo tech house, D♭ major (3B), 121 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Archie Hamilton's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 96% of Archie Hamilton's catalogue
- Groove:
- groovier than 93% of Archie Hamilton's catalogue
- Brightness:
- darker than 81% of Archie Hamilton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Comatose Commodity - Dubsons Remix in?
Comatose Commodity - Dubsons Remix by Archie Hamilton is in D♭ major, or 3B on the Camelot wheel.
What BPM is Comatose Commodity - Dubsons Remix?
Comatose Commodity - Dubsons Remix runs at 121 BPM, a club-tempo track.
What mixes well with Comatose Commodity - Dubsons Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Comatose Commodity - Dubsons Remix good for peak time?
With energy 80 out of 100 at 121 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 121 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Archie Hamilton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
