Calling It by Ann Clue cover art

Calling It

Ann Clue

Key
9B · G major
BPM
128
Open Key
2d
Energy
89/100
Pop
7/100
Length
7:44
Released
2018
Genre
Techno
Loudness
-8.1 dB
ISRC
DEY471881874

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Calling It runs 128 BPM in G major (9B), a peak-time tempo techno record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Hotter than 92% of Ann Clue's catalogue. For programming, treat it as a peak-time weapon.

Brightness:
brighter than 89% of Ann Clue's catalogue
Reach:
more underground than 89% of Ann Clue's catalogue
Tempo:
faster than 81% of Ann Clue's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood39Balanced
Groove77
Acoustic1
Instrumental82
Live10
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Calling It in?

Calling It by Ann Clue is in G major, or 9B on the Camelot wheel.

What BPM is Calling It?

Calling It runs at 128 BPM, a peak-time tempo track.

What mixes well with Calling It?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Calling It good for peak time?

With energy 89 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Ann Clue

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track