The Metal Thing - Natalino Nunes Remix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 7:06
- Released
- 2013
- Album
- The Metal Thing
- Genre
- Techno
- Loudness
- -5.8 dB
- Dynamics
- 12.0 dB
- ISRC
- CA5KR1556683
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Metal Thingoriginal9A · 128
- The Metal Thing - Dainty Doll Remixremix2B · 127
- The Metal Thing - Irregular Synth Remixremix4A · 130
- The Metal Thing - Nihil Young's Wrong Turn Remixremix9B · 127
Against the original (9A at 128 BPM), this version holds the same tempo and moves the key from 9A to 11A.
The Metal Thing - Natalino Nunes Remix runs 128 BPM in F♯ minor (11A), a peak-time tempo techno record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 98% of AnGy KoRe's catalogue
- Groove:
- groovier than 88% of AnGy KoRe's catalogue
- Tempo:
- slower than 84% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is The Metal Thing - Natalino Nunes Remix in?
The Metal Thing - Natalino Nunes Remix by AnGy KoRe is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Metal Thing - Natalino Nunes Remix?
The Metal Thing - Natalino Nunes Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Metal Thing - Natalino Nunes Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Metal Thing - Natalino Nunes Remix good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![List en - [e]rik_MnMl Remix by AnGy KoRe cover art](https://i.scdn.co/image/ab67616d00001e027f5282952371486b25fa3d1f){kind=small}
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