
Random vocals
30s preview
- Key
- 1B · B major
- BPM
- 130
- Open Key
- 6d
- Energy
- 71/100
- Pop
- 0/100
- Length
- 5:58
- Released
- 2017
- Album
- Clarion
- Genre
- Techno
- Loudness
- -11.9 dB
- Dynamics
- 6.4 dB
- ISRC
- CA5KR1550043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Random vocals is a peak-time tempo techno track in B major (1B) at 130 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master is squashed flat, built for loudness (crest 6 dB). A 2017 production that still circulates in sets. Darker than 99% of AnGy KoRe's catalogue. For programming, treat it as a floor-filler.
- Reach:
- more underground than 99% of AnGy KoRe's catalogue
- Low end:
- more bass-heavy than 97% of AnGy KoRe's catalogue
- Energy:
- calmer than 82% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Random vocals in?
Random vocals by AnGy KoRe is in B major, or 1B on the Camelot wheel.
What BPM is Random vocals?
Random vocals runs at 130 BPM, a peak-time tempo track.
What mixes well with Random vocals?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Random vocals good for peak time?
With energy 71 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 130 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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