Drive With a Dead Girl (Spencer Parker Work mix)
- BPM
- 130
- Open Key
- 6m
- Energy
- 95/100
- Pop
- 3/100
- Length
- 8:18
- Released
- 2016
- Genre
- Techno
- Loudness
- -12.6 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Drive with a Dead Girloriginal9B · 128
- Drive with a Dead Girl - Spencer Parker Beatsoriginal3B · 130
At 130 BPM in A♭ minor (1A), Drive With a Dead Girl (Spencer Parker Work mix) is a peak-time tempo techno production. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Brighter than 97% of Anetha's catalogue.
- Tempo:
- slower than 88% of Anetha's catalogue
- Energy:
- hotter than 77% of Anetha's catalogue
- Reach:
- more underground than 75% of Anetha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Drive With a Dead Girl (Spencer Parker Work mix) in?
Drive With a Dead Girl (Spencer Parker Work mix) by Anetha is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Drive With a Dead Girl (Spencer Parker Work mix)?
Drive With a Dead Girl (Spencer Parker Work mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Drive With a Dead Girl (Spencer Parker Work mix)?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Drive With a Dead Girl (Spencer Parker Work mix) good for peak time?
With energy 95 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 130 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Anetha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
