Hurricane (feat. The Shadow Self)
- Key
- 8A · A minor
- BPM
- 121
- Open Key
- 1m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 4:09
- Released
- 2017
- Album
- Hurricane
- Genre
- Tech House
- Label
- Balance Music
- Loudness
- -11.4 dB
- ISRC
- AUXN21703831
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hurricane (feat. The Shadow Self) - Deetron Vocal Remixremix10B · 121
- Hurricane (feat. The Shadow Self) - Deetron Dub Remixremix8A · 121
- Hurricane (club mix)version1A · 123
- Hurricane (feat. The Shadow Self) - Club Mixversion9A · 121
- Hurricane (feat. The Shadow Self) - Club Mixversion9A · 121
A club-tempo tech house cut, Hurricane (feat. The Shadow Self) sits in A minor (8A) at 121 BPM. It reads as dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Less groove-driven than 99% of Alex Niggemann's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Alex Niggemann's catalogue
- Energy:
- calmer than 91% of Alex Niggemann's catalogue
- Brightness:
- darker than 85% of Alex Niggemann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hurricane (feat. The Shadow Self) in?
Hurricane (feat. The Shadow Self) by Alex Niggemann is in A minor, or 8A on the Camelot wheel.
What BPM is Hurricane (feat. The Shadow Self)?
Hurricane (feat. The Shadow Self) runs at 121 BPM, a club-tempo track.
What mixes well with Hurricane (feat. The Shadow Self)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Hurricane (feat. The Shadow Self) good for peak time?
With energy 50 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 121 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
