I Used to Like God by Alarico cover art

I Used to Like God

Alarico

30s preview

Key
3A · B♭ minor
BPM
137
Open Key
8m
Energy
93/100
Pop
18/100
Length
4:58
Released
2025
Genre
Techno
Loudness
-7.8 dB
Dynamics
8.5 dB
ISRC
DEH742500985

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 137 BPM in B♭ minor (3A), I Used to Like God is a driving up-tempo techno production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of Alarico's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 83% of Alarico's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood44Balanced
Groove79
Acoustic9
Instrumental89
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is I Used to Like God in?

I Used to Like God by Alarico is in B♭ minor, or 3A on the Camelot wheel.

What BPM is I Used to Like God?

I Used to Like God runs at 137 BPM, a driving up-tempo track.

What mixes well with I Used to Like God?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is I Used to Like God good for peak time?

With energy 93 out of 100 at 137 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 137 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 137 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track