Beyond Us - Hatshepsut Version, Alex Wann Remix by Adriatique cover art

Beyond Us - Hatshepsut Version, Alex Wann Remix

Adriatique

30s preview

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
97/100
Pop
33/100
Length
3:40
Released
2024
Album
Beyond Us (Hatshepsut Version, Alex Wann Remix)
Genre
Progressive House
Loudness
-8.6 dB
Dynamics
13.0 dB
ISRC
FRX202452106

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4A at 126 BPM), this version runs 4 BPM slower and moves the key from 4A to 3A.

At 122 BPM in B♭ minor (3A), Beyond Us - Hatshepsut Version, Alex Wann Remix is a club-tempo progressive house production. Tonally it lands punchy, neutral in mood. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 98% of Adriatique's catalogue. In a set it works best as a mid-set roller.

Groove:
less groove-driven than 89% of Adriatique's catalogue
Low end:
more treble-tilted than 84% of Adriatique's catalogue
Reach:
better known than 78% of Adriatique's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood37Balanced
Groove59
Acoustic11
Instrumental69
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Beyond Us - Hatshepsut Version, Alex Wann Remix in?

Beyond Us - Hatshepsut Version, Alex Wann Remix by Adriatique is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Beyond Us - Hatshepsut Version, Alex Wann Remix?

Beyond Us - Hatshepsut Version, Alex Wann Remix runs at 122 BPM, a club-tempo track.

What mixes well with Beyond Us - Hatshepsut Version, Alex Wann Remix?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Beyond Us - Hatshepsut Version, Alex Wann Remix good for peak time?

With energy 97 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Adriatique

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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