Stop Talking
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 96/100
- Pop
- 11/100
- Length
- 6:48
- Released
- 2014
- Genre
- Techno
- Loudness
- -6.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stop Talkingoriginal6A · 125
Stop Talking is a club-tempo techno track in G minor (6A) at 125 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. Slower than 95% of Adam Beyer's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 87% of Adam Beyer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stop Talking in?
Stop Talking by Adam Beyer is in G minor, or 6A on the Camelot wheel.
What BPM is Stop Talking?
Stop Talking runs at 125 BPM, a club-tempo track.
What mixes well with Stop Talking?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Stop Talking good for peak time?
With energy 96 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Adam Beyer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
