![Giving It Out [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp)
Giving It Out [feat. Zoë Johnston]
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 69/100
- Pop
- 0/100
- Length
- 3:53
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -6.8 dB
- Dynamics
- 10.4 dB
- ISRC
- GBEWA1100275
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Giving It Out - Etherwood Remixremix3B · 109
A club-tempo progressive trance cut, Giving It Out [feat. Zoë Johnston] sits in D♭ major (3B) at 126 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. Brighter than 99% of Above & Beyond's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Above & Beyond's catalogue
- Groove:
- groovier than 90% of Above & Beyond's catalogue
- Tempo:
- slower than 78% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Giving It Out [feat. Zoë Johnston] in?
Giving It Out [feat. Zoë Johnston] by Above & Beyond is in D♭ major, or 3B on the Camelot wheel.
What BPM is Giving It Out [feat. Zoë Johnston]?
Giving It Out [feat. Zoë Johnston] runs at 126 BPM, a club-tempo track.
What mixes well with Giving It Out [feat. Zoë Johnston]?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Giving It Out [feat. Zoë Johnston] good for peak time?
With energy 69 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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