Temple In The Clouds [Mix Cut] - Original Mix by 16BL cover art

Temple In The Clouds [Mix Cut] - Original Mix

16BL

30s preview

Key
10B · D major
BPM
119
Open Key
3d
Energy
65/100
Pop
3/100
Length
8:53
Released
2013
Album
Warung Brazil 2012 - presented by 16 Bit Lolitas (Mixed Version)
Genre
Progressive House
Loudness
-10.9 dB
Dynamics
14.7 dB
ISRC
NLF711207748

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 119 BPM in D major (10B), Temple In The Clouds [Mix Cut] - Original Mix is a club-tempo progressive house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2013 production that still circulates in sets. Slower than 95% of 16BL's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 94% of 16BL's catalogue
Groove:
less groove-driven than 76% of 16BL's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood35Balanced
Groove69
Acoustic6
Instrumental87
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Temple In The Clouds [Mix Cut] - Original Mix in?

Temple In The Clouds [Mix Cut] - Original Mix by 16BL is in D major, or 10B on the Camelot wheel.

What BPM is Temple In The Clouds [Mix Cut] - Original Mix?

Temple In The Clouds [Mix Cut] - Original Mix runs at 119 BPM, a club-tempo track.

What mixes well with Temple In The Clouds [Mix Cut] - Original Mix?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Temple In The Clouds [Mix Cut] - Original Mix good for peak time?

With energy 65 out of 100 at 119 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 119 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 119 — beatmatch without a big tempo pull.

More progressive house

More from 16BL

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track